I can’t stop thinking about Venetian composer Antonio Salieri.
If you’re not a student of classical music you may know him as Mozart’s nemesis in Peter Shaffer’s film “Amadeus.” “Too many notes,” was his review of a new piece by Mozart. “Too many notes.”
If you’re like me, and I suspect there must be a silent majority out there, you must be wondering how any one person finds enough material to power dozens of tweets each and every day.
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